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A Bad Memory

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Readyv8 · sonnet
model sonnettokens 57187at 4:42:26 PM

One Set of Footsteps

A fifteen-year-old hides in a tree above a dying deer and watches something ancient feed — and understands, too late, that it already knew he was there.

60s8 beatsisolation · the uncanny · something old in the woods · the body as wrong vessel · forbidden witnessing · knowledge that cannot be unsaid · locals who know
  1. 1hook

    She said she didn't like being watched while she ate. She said it to herself — in two different voices — and she never once looked up at the tree I was hiding in.

    Visual: POV from high in a bare winter tree looking straight down — a pale hunched figure crouching over a dark shape on a gray forest floor, flat November light, the figure's head never tilting upward
  2. 2setup

    Fifteen years old. November, Northern Ontario. My cousin Jensen went back for the deer sled, leaving me alone in a shallow dried creek bed with a dying buck. The sounds it made weren't cries. Weren't breathing. Something in between.

    Visual: A pale teenage boy alone in a narrow forest trench, gray leafless trees pressing close on both sides, a dark-antlered deer barely visible on the ground beside him — everything brown, gray, still
  3. 3rising

    Voices reached me first. Two of them — bickering, getting closer. Then footsteps. Just one set.

    Visual: Close-up of dead leaves on a forest floor, a single line of crunching footprints, the boy's face high above in the trees — head tilted, listening, expression wrong
  4. 4rising

    She stepped into the creek bed — pale, almost gray, completely barefoot in November. One shoulder lower than the other. A limp that looked permanent. Necessary. She walked straight to the deer. No hesitation. As though she'd known exactly where it was before she ever rounded the bend.

    Visual: A tall barefoot woman with a shaved scalp and grayish skin moving between dark bare trunks — mismatched shoulders, deliberate limp, face turned away — the deer a dark shape she's already locked onto
  5. 5rising

    Both voices were coming from one mouth. One deeper — a woman imitating a man. The other flat, obedient, repeating itself. She dropped to her knees. I was fifteen feet up, pressing both hands over my face. My legs shook hard enough I thought the branch would move.

    Visual: Tight profile of the woman's face at ground level — lips moving, two expressions cycling across the same features, small scabs on her bare scalp; a boy's white knuckles gripping bark visible in the dark upper corner of frame
  6. 6twist

    When she stood to leave, dragging the deer by one hoof, the deeper voice said — quietly — 'She doesn't like being watched while she eats.' A pause. The other answered: 'I don't like being watched while I eat.' Back and forth. She kept walking. She never looked up. She didn't need to.

    Visual: The woman's bare back receding down the dark trench, one arm extended dragging a carcass — the boy's knuckles white in the top-right corner, frozen — her head perfectly level, never rising toward him
  7. 7climax

    Jensen came back hauling the sled. Saw the blood. The drag trail. Kicked through the leaves — and froze. The organs, cached underneath. He looked at me. Fear lasted half a second. Then understanding. The safety clicked off his rifle. 'We need to leave. Right now.'

    Visual: Jensen — mid-thirties, hunting gear, rifle raised — standing over disturbed leaves at dusk, scanning the tree line, expression grim rather than scared; the boy half-fallen from the tree behind him
  8. 8payoff

    Next morning: strangers at the table. Conversation stopped when I walked in. My uncle's cold hand on my shoulder. 'Some places aren't meant for everybody.' One thing left unsaid: before she found the deer, the deeper voice called her a name. Old. Like it was listening when spoken. I still remember it exactly. I won't write it here.

    Visual: A teenage boy in a kitchen doorway, two unknown men at the table gone silent, morning light flat and cold; an older man's hand on the boy's shoulder from behind — everyone watching the boy; the boy staring at the floor
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